“Invisible, As Music – But Positive, As Sound –” : The Intertextual Continuum Of Poetry, Music, And Song In Aaron Copland’S Twelve Poems Of Emily Dickinson, Benjamin Britten’S Songs And Proverbs Of William Blake, And Benjamin T. Martin/Alexandre Tchaykov’S I See And Unsee: Five Memory Songs
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Book Details :
“Invisible, As Music – But Positive, As Sound –” : The Intertextual Continuum Of Poetry, Music, And Song In Aaron Copland’S Twelve Poems Of Emily Dickinson, Benjamin Britten’S Songs And Proverbs Of William Blake, And Benjamin T. Martin/Alexandre Tchaykov’S I See And Unsee: Five Memory Songs